tiistaina, joulukuuta 13, 2005

Por Larrañaga Petit Corona KVM NOV 04



Measures: 127 mm x 16,5 mm

Age: Christmas arrived early as I recently received these cigars with just a bit over one year of age.

Setting: Winter proper has not really come yet to Helsinki: there has been hardly any snow, and the pale December sun has shone from clear skies on several days. This is quite uncharacteristical: mostly we don't expect to really see the sun again before February. It is also a lot warmer (or less cold) than usual.

The prevailing darkness still reminds of the fact that it's mid-winter after all. Today, of course, at least if we believe the Swedish-speaking part of the Finnish population (and why don't we), the back of the darkness is broken by St. Lucia, who brings back the light by wearing a long white dress and a twig garland with lit white candles in her hair. This is called Luciadagen. So remembering that the Spring will come again after all I grabbed one of the PLPC's, ignoring the voice of reason saying that they need a longer rest before smoking, brewed some coffee and seated myself on the balcony with the cigar and warm clothing.

When opening the cabinet for the first time, I was surprised how dark and oily these cigars were. The wrapper felt almost like skin to my fingers: a few crystals of bloom reflected the light nicely. The cigar felt fairly resilient to my fingers, raising the suspicion that it is too humid or a tad underfilled. Nevertheless, after cutting the cigar, the draw appears to be quite all right.

My previous encounters with PL had come from the Panetelas, so knew something of what was supposed to happen after I had lit the cigar. Yet this experience - very favourable as it was - paled in comparison with the PC. The cigar was a flavour bomb. The flavour is unique: sweet caramel sitting on top of very pleasant tobacco taste that tingled the middle part of the palate. After the mid point the sweetness nevertheless receded a bit (but came intermittently back), and the cigar became somewhat sharper in profile, yet never becoming unpleasant or harsh. The cigar burned fairly well, needing a couple of corrections. I had to relight it twice.

Obviously this cigar was still too young to fully reveal what it has to offer. Nevertheless, I now understand why it has received quite enthusiastic support in the review I have read: the cigar went directly close to the top of my list of most favoured Habanos PC's. Do yourself a favour and get a cab: I am very glad that I followed this advice myself. The thought that there still are 49 of these beauties waiting their turn is a comforting one.

sunnuntai, joulukuuta 04, 2005

Romeo y Julieta Petit Piramide EL 2005

RyJ Petit Piramide EL 2005

Measures: 124 mm x 20 mm

Age: I bought three of these new cigars in September. By the time of smoking, they had spent almost three months in my humidor.

Setting: This Sunday turned out to be a nearly perfect early winter day, with clear skies and temperature just below freezing. Thus we were able to enjoy sunshine for the whole day; very nice indeed after the stormy and rainy final weeks of November. This encouraged me to brave the cold and have a good cigar after lunch. I was already fingering a Partagás P2, when the three Petit Piramides I had got some months ago caught my eye. Why not indeed? The whole idea of buying a few was to try them out and determine if I should by a whole box.

The format of this cigar is unique: a short piramide it is, more than an inch shorter than the regular ones. In my eyes, the result is a cigar with attitude just like a small sports coupe is different from a big GT vehicle, as if the cigar was saying "let's go for a ride". The external characteristics of the cigar match what one might expect from a limited edition Habanos: dark, oily wrapper, very solid construction with a perfectly shaped cap. The cigar felt very densely packed to my fingers, having hardly any resilience. This made me worried about the draw, but it turned out to be ideally resistive. The pre-draw aroma reminded me of cocoa over lightly roasted tobacco. The cigar lighted easily and burned well, only requiring slight assistance at one-inch point.

The cigar started with a measured pang of floral aromas that soon settled to a more understated expression. During the first half of the cigar, I was reminded of the high-register herbal tones of the regular RyJ's; this cigar nevertheless had more body and depth. A modest amount of spice blended with the core tobacco in a nicely integrated manner. The aftertaste tingled nicely my nose and middle palate. Unfortunately, after the half-way mark these flavours became increasingly subdued: first, the herbs vanished, then the spice, until just the tobacco remained. At this point, the cigar lost the competition against the quite aromatic coffee I was drinking, and I abandoned it with more than one inch remaining.

Despite this low-key ending, the Petit Piramide yielded a very pleasant smoking session of little more than one hour, time-wise perfect for the less than ideal circumstances. I was glad that I took the chance with this cigar, unplanned as its choice was. All in all, I found myself thinking that the cigar probably was still at an early stage of its evolution, and that its aromas still were masked and muted even during the first half. How far will it go? My limited experience does not suffice to answering this question.

Will I buy a box? Based on this experience, no; I may change my mind after I have tried the other two after a good further rest. At any rate, of the two EL's of 2005, my vote as for now goes to the Montecristo D that I have found to be good literally down to the last millimeters.

lauantaina, joulukuuta 03, 2005

Juan Lopez Selección No. 1 CUE AGO 03

Measures: 140 mm x 17,5 mm
Age: The box dates from August 2003. It had spent a month in my humidor.

The winter has now begun in Helsinki, with temperatures around freezing. Unfortunately, we have had practically no snow yet except for one glorious weekend. It is sorely missed: snow on the ground will make the darkness much more bearable, as it reflects the little light we have this time of the year (sunrise at 9, sunset at 3.20). Within these parameters, it was nevertheless a nice cool and clear early winter day, so I went to downtown for some Christmas shopping. To reward myself for this, I also took one of the recently bought Juan Lopez Corona Gordas along in a cigar tube that proved extremely handy for the purpose. After exhausting my gift ideas (and myself), I went to the very cigar-friendly Strindberg's restaurant to enjoy a well-earned moment of respite with their quite excellent latte and the cigar. (The place is a must visit for cigar smokers in Helsinki: the upstairs area is well equipped in private club style with bookshelves and comfy chairs, and of course they have all drinks one may desire with a good cigar.)


The first thing that struck me as I originally opened the cabinet and inspected the cigars was the colour of the wrapper: these are amongst the darkest Habanos that I have so far seen. Tiny particles of bloom reflected light nicely all over the surface of the chosen sample. The cigar gave the impression of a very solid and high quality workmanship, with a expertly made triple cap. It felt firm, with just a little resilience, and emitted a strong barnyard odour. I clipped the cigar effortlessly and tried the draw which proved to be just perfectly resistive and gave hints of honey over pure tobacco flavour. The cigar lighted easily, and burned perfectly through the entire smoking session.

The story of this cigar is a story of flavour: it is certainly not a power-horse, and may not appeal to smokers who prefer stronger cigars. Initially I sensed nice nuttiness over light pure tobacco; later this was replaced by a sweetish flavour that reminded me of coughing medicine that I had as a child: camphor and honey? This was on top of very nice and balanced tobacco taste, the bitterness of which blended quite nicely with the overtone. The intensiveness of the tobacco increased gradually towards the end, never becoming harsh or overpowering.

All in all, the cigar gave me a very pleasant 90 minutes rest in style, smoking and sitting comfortably in the lobby of the restaurant, browsing a book I had just bought from the Academic Bookstore next door, sipping my coffee, and watching other people (well, mainly ladies) coming in from the cold with full shopping bags. I felt at ease with myself and the world. The moment and the cigar proved a perfect pairing.

maanantaina, marraskuuta 21, 2005

WFC

During the last years, I have become sort of a regular visitor at University of California at Berkeley.

I like the campus a lot. It is fairly small: all parts are easily reachable by foot. The campus itself is reachable by BART trains from the SFO airport, so renting a car is not necessary - an unusual luxury in the USA. The campus sits next to downtown Berkeley, with its good bookstores and cafés. I could easily spend a whole afternoon by browsing the shelves of Moe's, and actually have in many cases. The Berkeley branch of Rasputin CD + DVD store is just across the Telegraph Avenue from Moe's, and it's good for another afternoon visit.

I guess part of the charm of my Berkeley visits is that the place is 10 hours away from my time zone. That makes me practically unreachable by telephone during the normal hours. So all the sudden I'm the master of my time again and can enjoy the atmosphere of the campus at my leisure. Jet lag also reverses my schedule: I wake up early in the morning, and often take a jog around the campus before breakfast. It makes me feel a better person than what I am.

If possible, I stay in the Women's Faculty Club right in the middle of the campus. I have bribed shamelessly the secretaries of my UCB colleagues to the effect that they are typically willing to make me a reservation there when I prepare a visit; WFC visitors must have an invitation from campus. It is an old English country house style building, with lot of charm. The look and feel are not hotel-like at all, and I could imagine staying there even for a longer period of time.

What adds to the attractiveness of WFC is the grand piano they have in the downstairs parlour. It is a mid-size Steinway, roughly from 1905. Nobody has ever had the heart to stop me playing it.

The Steinway is different from my regular piano in many significant ways. The touch is fairly light, requiring carefulness and control. The dynamic range is immense. The pedals work - well, I still don't know just what is possible with this instrument. One could spend a lifetime exploring its possibilities of expression.

When I approach the instrument for the first time after the previous visit, I feel considerable awe. Playing it is a bit like driving a sports car: it goes fast, it reacts to the pedal in a split second, and it keeps whispering to the driver: "Faster! Faster". It is so easy to lose control - but what can one do? You cannot drive a Ferrari carefully.

sunnuntai, lokakuuta 23, 2005

Cohíba Robusto

Cohíba Robusto sampler
Measures: 120 mm x 19,5 mm
Age: I bought a fiver of these cigars in March 2005, and they have since that rested in my humidor at 65%. I think the cigars come from a batch rolled in early 2004.
Setting: The few last days have been too busy to offer good opportunities for cigar smoking. The Sunday afternoon, however, seems just perfect for setting time aside for exploring a fine cigar, even though the late Fall weather and temperatures have finally come to Helsinki. At least it is not raining. Prompted by some discussion on CW, I decided to smoke one of the Cohíbas that I have eyed from time to time, but until now decided to leave along, thinking "they are too young anyway". So I brew myself some coffee, put on some warm clothing, and ventured in the garden with the cigar.

The Cohíba Robusto is a superb-looking cigar, with finely veined colorado wrapper and beautiful triple cap. It feels just right in my hand: firm overall, with a bit of resilience. The golden band slid effortlessly off the cigar. There was a slight depression in the middle of the cigar, possibly left by the cabinet band. The unlit cigar had a very pleasant fragrance evoking images of hay-barns and fertilised soil. The pre-draw hinted at slight cocoa-like aromas and otherwise led me to expect a draw little bit on the light side.

Cohíba Robusto meeting its fiery death
For once, this cigar experience lends itself to be described in thirds. The initial third brought images of dried flowers and herbs in my mind. At times I was thinking of some medicine of my childhood, with camphor and hints of honey. The second third was dominated by images of light brown sauce, something that might be served over light meat, perhaps cream sauce with rosé pepper. This was very pleasant and wholesome. The last third had once again more intensive herbal flavour, with drops of lemon and pepper. Oddly, the cocoa hinted by the pre-draw was never perceptible. This all was delivered quite nicely through the light draw that necessitated careful slow smoking and light puffs. I had to relight the cigar once.

Did I enjoy this cigar? Yes and no. This is surely a fine cigar that has its own characteristic style that sets it apart from other fine Habanos. It is not a strong cigar by any means; strengthwise, it was the perfect afternoon cigar.

Yet the cigar, fine as it was, did not quite manage to work for me the magic that great Habanos sometimes are capable of. I am thinking of expressions and figures of speech that my colleagues in media research use to describe the media experience: presence, flow, immersion. A truly great cigar smoking experience alters the mental state of the smoker, changes the flow of time, and the way sensory inputs are processed and gain dominance in smoker's cognition. I too have sometimes experienced this immersion: in effect, while smoking a really great cigar, I become a big sensory organ completely focused on the cigar and its aroma. This magic did not happen this time. Instead, the mental experience seemed to have two levels: one where I was smoking the cigar and sensing its taste and aroma, and another where I was "objectively" observing myself smoking it and the sensory experiences it created. When I finally dropped the remaining nub of the Cohíba, I did not feel the awakening-like letdown that characterises a true flow experience. I just stopped.

So, even after this basically pleasant and positive experience, I continue to be relatively speaking immune to the allure of Cohíba. Whether this personal deficiency (which nevertheless at this time may be the only remaining thing keeping my personal economy on some resemblance of firm footing) will ever be cured, remains to be seen. I still have other samples of this vitola sleeping in my humidor; perhaps time will do the trick.

perjantaina, lokakuuta 21, 2005

The Biography of A Great Master of Archery by Atsushi Nakajima

Once upon a time in Handan, the capital of Zhao, there lived a man named Ji Chang who wanted to be the greatest archer in the world. He decided to find the best possible teacher.

As far as he knew, nobody could be as good as the great master of archery, Fei Wei. It was said that Fei Wei could hit a willow leaf without fail from a distance of a hundred paces. Ji Chang made a long journey to call on Fei Wei, and he became the great master's apprentice.

First, Fei Wei told him, "Learn not to blink." Ji Chang came back home. He crawled under his wife's loom and lay there on his back, watching as she wove. He watched the "maneki" move quickly up and down, quite close to his eyelids, and he began training himself not to blink. His wife, knowing nothing about his ambition, could not understand his behavior. She hated being watched so closely in such a strange way. But he scolded her, and forced her to continue weaving.

Day after day, he remained in his strange position, learning not to blink. Within two years, he had trained himself not to blink, even when the busy "maneki" was so close that it shaved his eyelids. One day he finally crawled out from underneath the loom. From that day forward, Ji Chang wouldn't blink, even if an irritating bit of debris got into his eye. He wouldn't blink, even if a spark entered his eye. Not even a cloud of ashes could make him blink. It was as if the muscles of his eyelids had forgotten how to blink. Even when Ji Chang was sleeping soundly at night, his eyes remained wide open. One day, he noticed a small spider making a cobweb between the upper and lower lids of one of his eyes. That gave him confidence, and he went to tell his master about it.

Having heard Ji Chang's story, Fei Wei said to him, "It is not enough for you to gain the ability to avoid blinking. You must also learn to watch an object. If, while concentrating on an object, you become able to see small things as if they were big and microscopic things as if they were conspicuous, come and tell me. Only then will I tell you how to shoot a bow."

Ji Chang went back home again. He found a louse on a seam of his underwear and tied it up with one of his hairs. He hung it in his southern window and watched it all day. Day after day he watched the louse hanging at the window.

It was of course only a louse at first. A few days later it was still just a louse. But after ten days, it seemed to be growing larger. At the end of the third month, it clearly looked as large as a silkworm.

The scenery outside the window changed as time went by. The delightful spring sunshine became the parching heat of summer. The clear autumn sky, filled with flying geese, grew gray and wintry, with cold sleet falling to the ground. Meanwhile, Ji Chang patiently continued to watch the louse. Each time the louse died, he replaced it with another one.

Soon, three years had gone by. One day he was aware that the louse seemed as large as a horse. Fantastic! He slapped his knee with joy, and went outside. He couldn't believe what he saw: people big as towers, horses big as mountains. A pig was a hill. A chicken was a watchtower. He ran back inside and faced the louse again. Ji Chang put an arrow made from the stem of a northern mugwort in his bow of Yan horn, aimed it at the louse and shot it. To his surprise, the arrow cut through the center of the louse, leaving the single hair intact.

Ji Chang immediately went to see the master, and told him what had happened. Fei Wei jumped up and beat his chest. "You did it!" he said. He immediately began to initiate Ji Chang into the mysteries of archery.

Ji Chang, who had spent five years in eye training, made surprising progress. Ten days later, he made an attempt to shoot a willow leaf from a distance of a hundred paces. He succeeded, and after that he never failed. Twenty days later, he drew a stiff bow while holding a cup full of water on his right elbow. Not only did he hit his mark, but also the water in the cup didn't move at all.

A month passed, and he tried the rapid shooting of a hundred arrows. As soon as the first arrow hit its mark, the tip of the second arrow hit the tail of the first. Instantly, the third caught the second, and so on. No arrow fell to the ground, because each one hit the arrow in front of it. When he had finished, the hundred arrows were attached end to end like a single long arrow. And the last arrow looked as if its tail were still attached to the string. The master Fei Wei, who was standing beside him, spontaneously shouted out," Good!"

Two months later, Ji Chang happened to come home, and quarreled with his wife. He aimed his raven bow at his wife's eyelid and shot a Qi Wei arrow. The arrow cut three hairs of her eyelid, and passed on harmlessly. But she was not aware of being shot, so she continued quarreling without a blink. It was surprising that he had achieved such mysterious skill and speed in archery.

Ji Chang, who had nothing to learn any more from Fei Wei, became preoccupied with an evil notion. As far as he knew, nobody could compete with him now except for the master, Fei Wei. So, he had to eliminate Fei Wei in order to be the greatest archer in the world. He began looking for a chance to assassinate Fei Wei.

One day he came across Fei Wei walking alone in a field. He quickly made up his mind, and he put an arrow in his bow and aimed it at Fei Wei, who, recognizing his student's intent, also raised his own bow and aimed an arrow at Ji Chang. When they shot at the same time, their arrows hit one another midway between them and fell to the ground. The skill of the two men had reached the mysteries of archery. That was why the arrows didn't raise even the least dust.

When Fei Wei had used up all his arrows, Ji Chang still had one more. Ji Chang put the arrow in his bow and shot at Fei Wei, who quickly broke a branch of a wild rose and with the tip of a thorn smartly knocked the arrow down. Ji Chang, who had realized that there was no hope of attaining his ambition, felt an unexpected moral repentance. For his part Fei Wei felt relieved that the danger had passed and he was satisfied with his own technical skill. That was why he forgot his hatred for his rival. They embraced each other in the field and burst into tears.

This may seem strange, but this tale comes from a time long ago when things were quite different from today. For example, Duke Huan of Qi, ordered Yi Ya his cook to prepare some especially delicious food. Yi Ya, wishing to please his king, roasted his own son as a special meal. In another example from those days, the sixteen-year-old first emperor of the Qin Dynasty raped his father's lover three times on the same night his father died.

Although he embraced Ji Chang with tears, Fei Wei was much afraid of another attack by his apprentice.Therefore he gave Ji Chang a new goal to work toward. He told the dangerous apprentice that he had nothing more to teach him. He also told Ji Chang that if he wanted answers to the deeper mysteries of archery, he should go west and climb the steep Taihang mountain range to the summit of Mount Huo, home of Gan Ying, the greatest archer of all time.

"Compared to the skill of this old master, our skills look like child's play," said Fei Wei. "From now on, no one but Gan Ying is fit to be your instructor."

Ji Chang immediately began traveling west. The words "child's play" had hurt his pride. If those words were true, his effort to become the greatest archer of all time was only beginning. To find out whether his hard-won skill was truly only "child's play", he rushed to see the master.

Injuring his feet and legs, climbing dangerous rocks, trudging narrow wooden walkways built high on cliff faces above deep valleys, he finally arrived at the summit of Mount Huo one month later. Ji Chang was irritated to find only a tottering old man with eyes like a sheep. "He must be more than a hundred years old," Ji Chang thought. Partly because he was severely bent at the waist, the old man's gray beard dragged on the ground as he walked.

Thinking that he might be deaf, Ji Chang loudly told the old master about his wish to become the greatest archer of all time. Without waiting for the master's reply, Ji Chang pulled out his bow and put an arrow in it. He aimed at a flock of migrating birds high in the sky. As soon as his bowstring rang, five big birds fell from the clear blue sky.

"You do well, in an ordinary way", said the old man with a gentle smile. "But that is only an ordinary level of archery. It's a pity you don't know truly extraordinary archery."

The old hermit led a very dissatisfied Ji Chang 200 feet away to the top of a cliff. From the edge of the cliff one could see a faint stream thousands of feet below, a view that could easily cause dizziness. The old man ran a short distance away and stood atop a teetering stone at the edge of the cliff, looked round at Ji Chang and said "Will you show me the same skill, just as you did before?"

When Ji Chang stood on top of the stone, it moved very slightly. He forced himself to put an arrow to his bow, and just then a small stone fell from the edge of the cliff. Suddenly gripped with fear of the great height, he lay down on the teetering rock. He couldn't stop his legs from shivering, and he began sweating all over his body. Sweat dripped to his heels.

With a smile the old man reached out his hand to help Ji Chang down from the stone. Then the old man stepped up on the stone and said, "Now I will show you some extraordinary archery." Pale and shaking with fear, Ji Chang noticed something. "Why don't you have a bow? He asked. The old man was empty-handed. "A bow?" the master answered, laughing. "As long as you need a bow, you cannot enter the mysteries of archery. When you become a great archer, you need neither a bow lacquered in black nor an arrow with a beech shaft and a stone head."

A kite was flying very high in the sky just above them, slowly circling. For a while Gan Ying watched the kite, which at such a great distance seemed no bigger than a sesame seed. Then he fitted an invisible arrow to an intangible bow, aimed, and shot at the kite. The kite fell from the sky like a stone. The sight frightened Ji Chang. He had now experienced the deepest mystery of archery for the first time.

Ji Chang stayed as an apprentice of this old master for nine years. No one knew what kind of training he received in this period.

When Ji Chang came back from the mountain for the first time in nine years, people were surprised at how different he looked compared with before. He had lost his unyielding, intrepid look, and had the expressionless features of a fool instead. But when he visited his former teacher, Fei Wei, after his long absence, Fei Wei glanced at him and said excitedly, "This is the greatest master in the world. We shall never rival him."

People in Handan expected to see the mysterious skill which would be exhibited by Ji Chang, the greatest archer of all time. But Ji Chang had no intention of showing his authority. He didn't touch even a bow. It looked as if he had thrown away the bow which, made from the stem of a willow with a hemp string, he had taken to the mountain with him. Ji Chang languidly answered the man who asked him the reason, "The best deed is to do nothing. The best saying is to be silent. The best shooting is not to shoot."

Superficial people in Handan understood it very easily. The great archer who didn't touch a bow became the pride of the people of Handan. The less he touched a bow, the more his mysterious fame spread.

People spread many rumors. For example, there used to be unknown bowstring sounds over Ji Chang's house late every night. It was said that the spirit of archery in the master stole out of his body when he was asleep, and was protecting him from goblins all through the night.

A merchant who lived close to his house said that one night he certainly saw Ji Chang riding on a cloud, playing an archery game with the ancient masters, Yi and Yang Youji, in the sky above his house. He also said that the arrows shot by the three masters made three bluish threads of light, and disappeared in space.

A thief confessed that he was going to steal into Ji Chang's house; but as soon as he stepped over the garden wall he was struck on the forehead by a stream of spirit out of the house, and fell away from the wall. Since then evil-minded people avoided Ji Chang's house, and migrating birds would not fly over his residence.

The great master Ji Chang got older and older, his fame growing with each year that passed. His thoughts had already left archery for a long time. He looked as if he were entering into spiritual mysteries. His almost expressionless face further lost expression. He rarely spoke. Finally, it became difficult to tell whether he was breathing or not. The old master said in his final days that he couldn't differentiate between himself and others, nor between good and evil, and that his eye felt like his ear, his ear like his nose and his nose like his mouth.

Forty years after leaving Master Gan Ying's house, Ji Chang died as quietly as mist. During those forty years he never even spoke of archery, let alone take up a bow and arrow. Of course, as the writer of the fable I would like to have him play an important, active part in some incident, and prove his greatness as a master archer. But on the other hand I must not go against the facts that are written in the classics. In fact, nothing was heard about him toward the end of his life except for the following strange tale. It goes like this:

One day, a few years before his death, old Ji Chang was invited to the house of an acquaintance. He saw a tool in that house, and felt as if he had seen one like it before, but he could remember neither its name nor how to use it. Old Ji Chang asked his host, "What is that, and how do you use it?" The host thought his guest was making fun of him. He smiled but didn't answer him. Ji Chang asked again, more earnestly this time. But the host was at a loss how to answer. When Ji Chang asked the same question for the third time, a look of astonishment appeared on his host's face. The host looked Ji Chang in the eye, trying to ascertain that his guest was not joking and was not crazy, and that he himself had not wrongly heard the question. He looked dismayed, almost to the point of being afraid, and said stammering, "You, the greatest archer of all time, have forgotten the bow? Both its name and how to use it?"

For a while after this incident, it was said that painters hid their brushes, musicians cut the strings of their instruments, and carpenters were ashamed to use their measures.

sunnuntai, lokakuuta 16, 2005

H. Upmann No. 2 ECA MAY 01



Measures: 158 mm x 20 mm
Age: The cigar came from a box bought in September 2005. The attractive box dates from May 2001.
Setting: The two first weeks of October have been the warmest ever measured in Finland. The fall colours are now at their peak. Thus, conditions for outdoor cigar smoking are still very attractive, even though today was a bit cooler. This opportunity - that may be one of the last - clearly calls for a good Habanos; so, I took the Upmann piramide from the dry-box where I had had the sense to place it yesterday, brew some coffee and settled myself in the garden with the cigar and some reading.

When originally shopping for the Upmanns, I noticed with pleasure a nice bloom on the cigars in the box I ultimately chose. Unfortunately, when I brought the box to the cashier, the salesperson dusted much of it off before I could stop her. Still, when I inspect this cigar closely, I can see traces of the bloom still present on the colorado wrapper. The cigar felt a bit springy to my fingers, but had no spots softer than the general feel. The general appearance is what one might expect from a well made Habanos.

The pre-draw gave a light dose of herbs and roasted tobacco. The draw was a bit in the light side. The burn turned out to be less than ideal, and I had to assist it a couple of times during the smoking session that lasted some 90 minutes. At 2/3 point, some tar seeped through, and I had to recut the cigar.

After lighting the cigar, I was greeted by a nice mixture of dry herbs and spice over roasted tobacco flavour. This remained essentially similar through the whole smoking experience; nevertheless, during the second half, the aroma became intermittently creamier and fuller. The herbal overtone sometimes reminded me of a whiff of wasabi, or sometimes the nice bitterness of Campari or hops of good German beer. The lighted cigar emitted a nice incense-like fragnance. Overall, the cigar appeared to be medium bodied: the smoke tingled my nose and deeper parts of my palate, rather than the tongue. The cigar never became harsh or too hot to handle, and I nubbed it.

This cigar was not a powerhorse, nor did it overwhelm the smoker with rich and variable sensations in the way a good Montechristo #2 can do. Instead, it provided a stylish smoking experience that nevertheless captured my full attention as I explored its delicate herbal aromas: I ended up disregarding the book I had taken along entirely, and focused instead on the cigar and the peaceful late afternoon, basking in the last glimmers of sunset.

Literature and reports of other smokers lead me to expect considerable further development with more years in rest, perhaps including more strength. It is a satisfying thought that I still have an almost full box of these cigars, giving me the opportunity to explore their progress.

Blog created

So, I decided to join the movement ... I too need a space to share my rantings.